{"id":384,"date":"2023-12-05T15:08:18","date_gmt":"2023-12-05T15:08:18","guid":{"rendered":"https:\/\/julianelvira.com\/?page_id=384"},"modified":"2025-09-23T08:14:38","modified_gmt":"2025-09-23T08:14:38","slug":"la-flauta-subcontrabaja-2","status":"publish","type":"page","link":"https:\/\/julianelvira.com\/?page_id=384","title":{"rendered":"La flauta subcontrabaja"},"content":{"rendered":"\n<div class=\"wp-block-uagb-container uagb-block-52368a2c default uagb-is-root-container\">\n<div class=\"wp-block-uagb-container uagb-block-32726fce\">\n<div class=\"wp-block-uagb-container uagb-block-cc0db174 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<p class=\"wp-block-paragraph\">Juli\u00e1n Elvira is one of the most important pioneers in performing and composing for the subcontrabass flute. His work dates back to the early 1990s. Works such as \u201cMemorare, requiem for subcontrabass flute\u201d by composer Jos\u00e9 M\u00aa S\u00e1nchez-Verd\u00fa and his musical stage production \u201cEXPIRAL\u201d are a testament to his connection with this fabulous and extreme instrument. In recent years, he has developed improvisation as a complementary language in his shows and recitals, consolidating his profile as a versatile and unpredictably creative artist.<br><br>Conference given on 11\/XI\/2023 as part of the XII Conference of the \u201cINSTRUMENTA\u201d Association. Barcelona.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><div class=\"ast-oembed-container \" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"La flauta subcontrabaja de Juli\u00e1n Elvira. Rompiendo barreras (Subcontrabass Flute.Breaking barriers)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/eghO_SqnzC4?start=507&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><br><a href=\"https:\/\/www.youtube.com\/watch?v=eghO_SqnzC4&amp;t=507s\"><br><\/a><br>Juli\u00e1n Elvira es uno de los m\u00e1s importantes pioneros en la interpretaci\u00f3n y creaci\u00f3n con la flauta subcontrabaja. Su trabajo se remonta a principios de los a\u00f1os 90 del siglo XX. Trabajos como \u00abMemorare, requiem para flauta subcontrabaja\u00bb del compositor Jos\u00e9 M\u00aa S\u00e1nchez-Verd\u00fa o su producci\u00f3n esc\u00e9nico musical \u00abEXPIRAL\u00bb, dan. buena cuenta de su conexi\u00f3n con este fabuloso y extremo instrumento. En los \u00faltimos a\u00f1os ha desarrollado la improvisaci\u00f3n como lenguaje complementario en sus espect\u00e1culos y recitales, consolidando el perfil de un artista vers\u00e1til e impredeciblemente creativo.<br><br>Conferencia emitida el 11\/XI\/2023 dentro de las XII Jornadas de la Asociaci\u00f3n \u00abINSTRUMENTA\u00bb. Barcelona.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">https:\/\/www.youtube.com\/watch?v=eghO_SqnzC4&amp;t=507s<br><br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-7f536aca\">\n<div class=\"wp-block-uagb-container uagb-block-5c561c90\">\n<div class=\"wp-block-uagb-container uagb-block-afdd3e34\">\n<div class=\"wp-block-uagb-info-box uagb-block-0c57999c uagb-infobox__content-wrap  uagb-infobox-icon-above-title uagb-infobox-image-valign-top\"><div class=\"uagb-ifb-content\"><div class=\"uagb-ifb-title-wrap\"><h6 class=\"uagb-ifb-title\">m\u00e1s que un concierto<\/h6><\/div><p class=\"uagb-ifb-desc\">Cada detalle cuidadosamente pensado para una propuesta musical y esc\u00e9nica que se vive de<br>principio a fin como un todo e inunda los cinco sentidos.<\/p><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-4dd117e1\">\n<div class=\"wp-block-uagb-image uagb-block-a890ec56 wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF4023_websize-edited.jpg ,https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF4023_websize.jpg 780w, https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF4023_websize.jpg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF4023_websize-edited.jpg\" alt=\"\" class=\"uag-image-210\" width=\"899\" height=\"899\" title=\"\" loading=\"lazy\"\/><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-a3f842b5\">\n<div class=\"wp-block-uagb-container uagb-block-c1dee4ea\">\n<div class=\"wp-block-uagb-image uagb-block-b9f07228 wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF3970_websize-edited.jpg ,https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF3970_websize.jpg 780w, https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF3970_websize.jpg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF3970_websize-edited.jpg\" alt=\"\" class=\"uag-image-211\" width=\"899\" height=\"899\" title=\"\" loading=\"lazy\"\/><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-cbd5780e\">\n<div class=\"wp-block-uagb-info-box uagb-block-ddccc280 uagb-infobox__content-wrap  uagb-infobox-icon-above-title uagb-infobox-image-valign-top\"><div class=\"uagb-ifb-content\"><div class=\"uagb-ifb-title-wrap\"><h6 class=\"uagb-ifb-title\">un gigante en la sala<\/h6><\/div><p class=\"uagb-ifb-desc\">La est\u00e9tica del instrumento es un elemento esencial de la escena.Impacta su tama\u00f1o, su sonido, su manejo. Es parte del escenario,un elemento vivo entre micuerpo, la m\u00fasica y el p\u00fablico<\/p><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-d323cec2\">\n<div class=\"wp-block-uagb-container uagb-block-38598706\">\n<div class=\"wp-block-uagb-container uagb-block-d3589dfa\">\n<div class=\"wp-block-uagb-info-box uagb-block-b6fa6fcf uagb-infobox__content-wrap  uagb-infobox-icon-above-title uagb-infobox-image-valign-top\"><div class=\"uagb-ifb-content\"><div class=\"uagb-ifb-title-wrap\"><h6 class=\"uagb-ifb-title\">sin l\u00edmites<\/h6><\/div><p class=\"uagb-ifb-desc\">Con la flauta subcontrabaja abarco repertorio de distintas \u00e9pocas y est\u00e9ticas. Un instrumento imposible, con recursos para cualquier tipo de m\u00fasica.<\/p><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-b567658b\">\n<div class=\"wp-block-uagb-image uagb-block-a4fbc335 wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF3757_websize-edited.jpg ,https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF3757_websize.jpg 780w, https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF3757_websize.jpg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF3757_websize-edited.jpg\" alt=\"\" class=\"uag-image-212\" width=\"899\" height=\"899\" title=\"\" loading=\"lazy\"\/><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-8115b6ea\">\n<div class=\"wp-block-uagb-container uagb-block-af153aef\">\n<div class=\"wp-block-uagb-image uagb-block-ad62c67f wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF3864-edited-1.jpg ,https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF3864-scaled-e1697232850310.jpg 780w, https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF3864-scaled-e1697232850310.jpg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/DSCF3864-edited-1.jpg\" alt=\"\" class=\"uag-image-214\" width=\"899\" height=\"899\" title=\"\" loading=\"lazy\"\/><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-1321d342\">\n<div class=\"wp-block-uagb-info-box uagb-block-0c463699 uagb-infobox__content-wrap  uagb-infobox-icon-above-title uagb-infobox-image-valign-top\"><div class=\"uagb-ifb-content\"><div class=\"uagb-ifb-title-wrap\"><h6 class=\"uagb-ifb-title\">\u00bfimprovisar o tocar?<\/h6><\/div><p class=\"uagb-ifb-desc\">Mi relaci\u00f3n con la m\u00fasica de los distintos compositores no tiene fronteras. La improvisaci\u00f3n y la interpretaci\u00f3n de m\u00fasica escrita<br>se funden, se encuentran y separan continuamente. No hay reglas, solo m\u00fasica.<\/p><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/julian-elvira-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">La flauta subcontrabaja [dossier]<\/a> | <a href=\"https:\/\/julianelvira.com\/wp-content\/uploads\/2023\/10\/julian-elvira-Presentacion-Optimizado-para-dispositivos-moviles-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">[versi\u00f3n m\u00f3vil]<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Juli\u00e1n Elvira is one of the most important pioneers in performing and composing for the subcontrabass flute. His work dates back to the early 1990s. Works such as \u201cMemorare, requiem for subcontrabass flute\u201d by composer Jos\u00e9 M\u00aa S\u00e1nchez-Verd\u00fa and his musical stage production \u201cEXPIRAL\u201d are a testament to his connection with this fabulous and extreme &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/julianelvira.com\/?page_id=384\"> <span class=\"screen-reader-text\">La flauta subcontrabaja<\/span> Leer m\u00e1s &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-384","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Juli\u00e1n Elvira | Proyectos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/julianelvira.com\/?page_id=384\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Juli\u00e1n Elvira | Proyectos\" \/>\n<meta property=\"og:description\" content=\"Juli\u00e1n Elvira is one of the most important pioneers in performing and composing for the subcontrabass flute. 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His work dates back to the early 1990s. 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His work dates back to the early 1990s. Works such as \u201cMemorare, requiem for subcontrabass flute\u201d by composer Jos\u00e9 M\u00aa S\u00e1nchez-Verd\u00fa and his musical stage production \u201cEXPIRAL\u201d are a testament to his connection with this fabulous and extreme&hellip;","_links":{"self":[{"href":"https:\/\/julianelvira.com\/index.php?rest_route=\/wp\/v2\/pages\/384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/julianelvira.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/julianelvira.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/julianelvira.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/julianelvira.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=384"}],"version-history":[{"count":5,"href":"https:\/\/julianelvira.com\/index.php?rest_route=\/wp\/v2\/pages\/384\/revisions"}],"predecessor-version":[{"id":511,"href":"https:\/\/julianelvira.com\/index.php?rest_route=\/wp\/v2\/pages\/384\/revisions\/511"}],"wp:attachment":[{"href":"https:\/\/julianelvira.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}